The Mu Guang exhibition officially opened at the Zhongli Art Museum on October 9. During the setup, I truly felt the growth and progress of our members. Many of them have also won awards in various competitions. Over the years, Mu Guang has developed significantly—both in terms of exposure in the art community and the quality of our members’ works. I hope everyone continues to work hard, because opportunities always come to those who are prepared.

10/9沐光於中壢藝術館的展覽正式開始，這一次在布展的時候及感受到會員的成長進步。而且許多的會員也屢次的比賽獲獎。幾年來沐光成長了不少。不管在藝術圈的曝光度或者是會員作品的質感，我們都向前邁了一大步。期待大家繼續加油，機會是留給準備好的人。

Muguang: A Collective Journey

When visitors read the introduction to Muguang at the exhibition, perhaps some of them felt a sense of resonance. What began with just five people who loved sketching outdoors has now grown into a group of thirty-nine. Ironically, while our numbers have increased, fewer members continue to focus on sketching, and more are drawn to competitions and awards. This is not necessarily a bad thing—perhaps it simply reflects how we have all grown in different directions.

In the early days, when our membership was small and my own workload was heavy, Vice President Cai Cai-zi took responsibility for organizing sketching activities. He was deeply committed and contributed enormously to Muguang. Later, he left because of differences in vision, but I have always remembered his words: “Even if our ideals do not align, we both want what is best for Muguang.”

There was a time when I struggled with recruiting new members, which forced me to reflect: what makes Muguang different from other art associations? If we only hold an annual exhibition and one general meeting, there are many older, more resourceful organizations that already do so. I began to consider a different path—how to bring together those who share the same ideals, so that we could form a true collective force.

In pursuit of this, I observed other associations, attended countless openings, and engaged widely—not only to learn, but also, unexpectedly, to increase visibility for myself and for Muguang. Over time, our reputation grew, and many expressed interest in joining. Yet I chose carefully, focusing on those who were willing to contribute, especially younger members. To build a strong organization requires a team, and with a team comes many responsibilities. I was fortunate: gradually, some members stepped forward to help, while those unwilling to contribute—those who sought only recognition or gain—eventually left.

There were also voices of doubt: that Muguang’s success relied on southern mentors, that we borrowed others’ prestige, or that I sought fame for myself by taking credit for everyone’s efforts. Such words angered me deeply. From the beginning, I envisioned Muguang as a collective endeavor. The age of fighting alone has passed; today, strength comes from unity. Yet it is rare to find people who truly share your ideals and are willing to strive alongside you.

From Teacher Ma Fang-yu, I learned the principle of acting for the benefit of others—a philosophy that echoes the spirit of Teacher Ho Chao-chu, who selflessly shared his knowledge with anyone. Guided by this, I embraced social media and established the Muguang website to create visibility for our members. Slowly but surely, this began to bear fruit.

In recent years, with Alice serving as Secretary-General and several members stepping forward to assist, my own workload has eased. At this stage, I realized that improving by sixty percent is easy, but to progress beyond that requires far greater effort and wisdom.

This morning, as our association gathered works for the exhibition, I used the waiting time to reflect. To nurture an individual is never easy; to build a strong collective is even harder. But only when each of us sets aside personal ambition can we come together to achieve something truly great.

大家在展場看到的沐光介紹，不知道是否有些感觸。當初五個人從喜歡寫生，到目前已經有39位。可是喜歡寫生的人卻變少。追求比賽得名的人變多了。我覺得這也沒有什麼不好。或許是大家都成長了吧？當初人少，我的工作又忙。所以副會長蔡蔡子，他負責辦理寫生活動 。他非常的負責，做了很多事情，後來因為理念不合而離開沐光。但我喜歡他說的一句話，我們雖然理念不合，但是我們都是為了沐光好。後來我在外面的招募會員遇到了瓶頸，讓我思索了很多的問題。沐光和其他的畫會有什麼不同？如果都只是一年辦一次展覽，一次會員大會。比我們歷史悠久有資源的畫會太多了。所以我開始思考很多不同的層面，如何讓畫會可以挑選會員，讓更多相同理念的人聚集在一起成為一股力量。所以我開始讓自己做了很多事，觀摩了很多的畫會，參加了很多的開幕式。都只是為了要學習，然而卻意外的讓自己以及沐光曝光度增加。經過了幾年沐光的知名度大增，很多人表達意願要進入沐光。但是我一定都先挑選願意幫忙及年輕一輩的。因為要變成一個大的團體需要有一群人，而一群人就會變得需要處理很多事情。我的運氣不錯，裡面有幾位慢慢開始願意幫忙，而不願意幫忙只會計較或者只想爭名奪利的人也慢慢地離開。有人說沐光能有名氣都是因為南部的前輩，都是因為沾了誰的名氣。而我只是利用大家的幫忙想要成名，所有的光芒都在我的身上。聽到這些閒話，其實我真的很生氣。我從一開始沐光的定位就是想要打團體戰，因為我知道單打獨鬥的時代已經過去了，需要眾人集結的力量，但是要找到和你有相同理念又願意一起奮鬥的人不多。南部的馬芳渝老師教導我要做「利他」的方法。其實這樣子的理念就和何肇衢老師無私教導任何人一樣。所以我就採用了社群媒體還有成立沐光網站增加會員曝光度，也慢慢產生了一些效果。這2年Alice擔任了沐光的秘書長。再加上幾位願意來幫忙的人，我的工作量減輕了，這時候要思考的是要進步60 %很容易，要再往前的話就更多困難了。今天早上是畫會在收集展覽作品的時間。趁著等待的時間記錄了一些回憶。要成就一個人，要壯大一個團體並不容易。只有大家將自己的私心縮到最小，才有辦法成就大事。

感謝Alice以及理監事，還有所有沐光會員的幫忙。

國立臺灣美術館x台中大毅老爺行旅 以藝術典藏映照佳節文化，跨界聯名禮盒盛裝登場(新聞稿)

• 發佈日期：2025-07-10
•  點閱次數：359

迎接即將到來的中秋節，國立臺灣美術館與台中大毅老爺行旅今（10）日於國美館舉辦聯名記者會，正式發表以臺灣戰後重要藝術家何肇衢，國美館典藏畫作〈村莊〉為靈感打造的2025年中秋聯名禮盒「村莊」。國立臺灣美術館與台中大毅老爺行旅聯名合作今年邁入第五年，持續以藝術注入節慶詩意，結合在地食材與設計美學，將團圓的滋味轉化為一份別出心裁的中秋心意。禮盒即日起開放預購，7月31日前預購，享早鳥優惠價。

國美館長陳貺怡表示，今年特別選用何肇衢老師的作品〈村莊〉，這幅作品目前正展出於國美館三樓典藏常設展，與往年僅見於禮盒包裝不同，民眾這次可以同步在館內觀賞原作，更加貼近藝術本身。〈村莊〉並未明確描繪哪個地點，但畫面所呈現的氛圍，讓人聯想到兒時的故鄉、祖父母家，或是記憶中的臺灣小村落，充滿熟悉與溫暖的情感連結。這也正呼應中秋節「團圓」、「回家」的意義。國美館與大毅老爺每年合作禮盒，皆希望透過藝術作品喚起節慶的情感。今年藉由〈村莊〉的溫馨氛圍，結合地方食材與設計，傳遞中秋節不只是賞月與共享佳餚，更是一種心靈的連結與歸屬感，讓藝術真正走進生活、融入節慶。

今年禮盒主視覺〈村莊〉繪於1970年代，為臺灣藝術史極具代表性的油畫作品。畫作筆觸溫潤、色彩多層，屋瓦錯落之間，彷彿能看見萬家燈火閃爍，炊煙自屋簷緩緩升起，內斂深刻的思鄉情緒，穿越時光，也觸動現代人心中對「家」的記憶。此次聯名禮盒以畫作的色彩與筆觸為視覺核心，轉化為外盒設計語彙，呼應中秋團圓的主題，同時展現藝術與設計跨界對話的細膩溫度。

延續對在地文化的關懷，禮盒由臺灣品牌「La Famille法米法式甜點」與「COFFEELAND極品莊園咖啡」聯手打造，將法式工藝揉合臺灣風土食材，以豐富層次口感喚起情感共鳴。

禮盒中的三款經典法式手工餅乾分別為：「鄉村奶油餅」以絲柔奶香與香草莢交織，重現落日時分溫柔金光；「杏仁沙布列」溫潤酥鬆，舌尖迴盪淡淡堅果香氣；「伯爵茶餅」則以佛手柑為香氣主軸，揉合濃郁奶油，寧靜而優雅。

除了手工餅乾，亦收錄三款風味鮮明的蝴蝶酥：「醬香蝴蝶酥」選用雲林西螺的柴燒醬油打造，鹹甜有致；「虎糖蝴蝶酥」以雲林虎尾三溫糖帶出甜而不膩的韻味；以及「金沙蝴蝶酥」選用屏東四重溪紅仁鴨蛋，飽含鹹香金沙風味，創造多層次的味覺驚喜。

國立臺灣美術館以藝術典藏能量，串聯節慶文化，將美感融入日常生活。台中大毅老爺行旅致力於創造精彩旅遊體驗，攜手La Famille法米法式甜點與COFFEELAND極品莊園咖啡，將在地食材化為獨一無二的味覺盛宴，獻上別出心裁的佳節之禮。

「村莊」中秋禮盒7月31日前預購享早鳥優惠價。歡迎企業訂購或民眾預約選購，數量有限，敬請把握。禮盒訂購請洽台中大毅老爺行旅，訂購專線：04-3702-8988，大宗訂購另有優惠，敬請把握良機。

https://tw.news.yahoo.com/share/f9a02608-8cdb-3e41-971d-d6949f927289

Time flies—Muguang is now entering its 14th year. We started as a small art group of just five people, and now we have grown to 39 members. From having no formal organization to everyone now working according to the organizational bylaws; from one person shouldering most of the responsibilities to many gradually stepping up to help—so many years have passed.

This time’s board and supervisory meeting was filled with lively discussion, which I felt was very different from before. Everyone was more willing and courageous to speak up and share their opinions. This reflects the long-standing spirit of mutual respect among Muguang’s members.

I am especially grateful to Teacher Jian Jun-Hui, who, when encouraging me to start this art group, offered advice without overly interfering in the operations. That is why Muguang has maintained a practice where major decisions are made through board or member votes, while only smaller matters are handled by the president.

We’ve gradually set the organization on a proper course. Over the next two years, I will begin to step back and let it operate more freely. I look forward to seeing a new generation join Muguang, paving new and unique paths. Let’s all keep up the great work!

時間過得非常的快，沐光邁入第14年。我們從一個五人的小畫會到目前已經39位會員。從沒有組織，到大家依照著組織章程在做事。從一個人忙碌到慢慢大家願意幫忙，歷經了多少個年頭。這一次的理監事會議大家熱烈的討論，我覺得和以往非常的不一樣，大家已經非常願意及勇於發言討論，表達自己的意見。這也是沐光一直維持尊重會員的成績。感謝簡君惠老師要我成立畫會的時候，只給我建議沒有干涉太多的會務。所以沐光到目前都維持著大事情由理監事或會員投票決定，小事情才由理事長決定的處理事情方式。我們讓組織的運作慢慢上了軌道，接下來的兩年我就慢慢放手，讓他自由運作。期待沐光的未來有新生代的加入，走出更不同的大道。大家加油！

For us, this is a once-a-year event, but for them, they long for this to be a part of their everyday life. Regardless of the reasons that brought them to live in a nursing home—be it personal circumstances or changes in Taiwanese society—we must helplessly accept this reality. But still, we should do something for them, because we will all grow old one day.

Currently, Hui Chuan Nursing Home primarily cares for elderly residents with mild to moderate conditions. My father, on the other hand, used to stay in a respiratory intensive care facility. Every time I visited him, the air felt completely different—very heavy and silent. The staff told me I was the family member who visited most frequently. Even though most of the elderly lying in those beds were unable to care for themselves, I truly believe they were fully conscious and deeply longed for their loved ones to be by their side.

Last year, we organized a Mother’s Day event at Hui Chuan Nursing Home. This year, at Ying-Ru’s invitation, we did it again. With more experience this time, the event was even better organized. We hope to offer a small gesture of care to make things just a little more beautiful.

Thank you to Ying-Ru for arranging everything, to Ya-Ching for sponsoring the fresh flowers and cake, and to Yu-Fen from Tuesday Sketch Group for donating two watermelons and some tomatoes, as well as to all the passionate friends who participated! Much gratitude to you all.

對我們來說，這是一年一次的活動，可是對他們來說，他們卻渴望這是每天的生活。不管是什麼原因讓他們住進了安養院，或者說這個是台灣社會的變化，我們必須無力地接受他，但總應該為他們做些什麼。因為我們都會年長。惠全安養院目前院內大致上是中輕症長者。而我的父親之前待在呼吸重症安養中心。所以每次去探望父親的時候，只覺得空氣完全不太一樣，非常沈寂。院方的照護人員說我是最常去探望的家屬，雖然說躺在病床上的長者大致上都無法自理，但我相信他們腦裡絕對是有意識的渴望自己的家人陪在身邊。去年我們就曾經安排到惠全安養院舉辦母親節活動。今年應穎如的邀約，我們再次的舉辦，這一次的安排我們更加的有經驗，也做得更好。期待盡一些小小的心力。讓一切更加的美好。謝謝穎如的安排，還有雅菁贊助了鮮花還有蛋糕，星期二寫生趣的玉芬贊助了兩顆西瓜還有蕃茄，還有所有熱情參與的朋友！感恩。

“Tuesday Sketching Fun” was the predecessor of the Muk Kuang Painting Society. Back then, it was just five of us—Tsai Yu-Ju, Tan Ba-Chin, Lee Jen-Chieh, Ko Ching-Hsia, and myself—going out to sketch every Tuesday. Over time, this small tradition grew into a formal painting group. Eventually, only Ba-Chin, Ching-Hsia, and I remained active in the society, and just Ba-Chin and I continued the weekly sketching.

Over the years, many have come and gone from our Tuesday sketch sessions. What once felt difficult to let go of has now become something I’ve grown accustomed to.

Recently, a group of friends from Yuanlin, Changhua, joined us. They carry the same passion for sketching that we once had in our early days. Seeing them reminds me of the times we traveled far and wide together, supporting one another without calculation, simply for the love of painting.

A strong group is built on mutual trust and helping each other. If rumors, gossip, and blame-shifting start to creep in, it becomes hard for a group to stay focused or accomplish anything meaningful. Thankfully, that kind of atmosphere is rare in Muguang and our Tuesday gatherings.

There have been times when I was so busy I thought about ending our Tuesday sketching sessions, but every time we voted on it, everyone agreed it would be a shame to stop—so we continued. Now, with new friends joining from other art groups, that spark has been reignited.

Sketching is truly a powerful training ground for painting. I hope everyone continues to hold on to this practice and keeps the spirit alive.

星期二寫生趣是沐光畫會的前身，哪時候只有蔡玉如、譚巴京、李仁傑、柯靜霞和我五位一起每星期二寫生，慢慢的到成立畫會，後來只剩下我和巴京姐持續在寫生。留在畫會的也只剩下巴京姐、靜霞和我。

每星期二都堅持寫生的人員也來來去去，我也從當初的不捨到現在的習以為常。而最近加入了一群彰化員林的朋友，他們有我們之前對於寫生的熱情。每次看到他們就想到以前一起南征北討，彼此之間互相關心不會計較的感覺。一個團體需要的是互信、互相幫忙。如果讓謠言和八卦和彼此推託的氣氛在內部形成，哪這團體就很難再有做大事的氣候了！幸好沐光和星期二寫生的這種氣氛不多。

每次很忙的時候，有點想要停掉星期二寫生，但後來投票大家都覺得可惜，決定繼續。如今有加入其他團體的朋友又將這股寫生之火點燃。寫生其實對於繪畫是很好的訓練，期待大家能持續堅持下去。

昨天是沐光畫會的精神領袖何肇衢老師的冥誕，時間過得好快，一轉眼已經過了兩年。每年的這個時候我們都會穿紅色喜慶的衣服幫何老師慶生。當初和紀向老師在放送局辦藝術隨意聊的目的就是要訪問一些資深的藝術家作為一些生平的紀錄，結果執行的成效並不好。不過前幾天我們到嘉義拜訪藝術家的時候巧遇李錦繡老師的家屬，提到嘉義美術館正要幫李錦繡老師做紀錄片。聽到這個消息，真是令人振奮。藝術人一輩子為了理想奮鬥，有多少人為了經濟現實放棄。有多少人埋沒在茫茫的人海。這幾年我已經遇到了不少的前輩走了，也許他這一輩子的努力就此歸於零。

二月份沐光在新竹縣立美術館的展覽，因緣是在尋找展場時，看到新竹縣立美術館有一張照片是何老師的作品照片，我馬上決定就是申請新竹縣立美術館，而開幕當日邀請何老師公子何大哥到新竹縣立美術館參與，而新竹縣立文化局的朱淑敏局長也專程撥空參加，並告知新竹要再成立新的美術館並確定要館藏何老師的兩張作品。這一切都是最好的安排。何老師一直非常支持沐光，而沐光也藉著緣份讓何老師的作品到台灣各縣市讓當地民眾都能親近大師畫作。在此感謝何大哥、二哥、大姐、二姐支持沐光每次的展覽都提供何老師的作品。感恩！

The Muguang exhibition at the Hsinchu County Art Museum in February came about when we were searching for a venue and saw a photo of Teacher He’s artwork at the museum. At that moment, I immediately decided to apply for an exhibition there. On the opening day, we invited Teacher He’s son, Brother He, to attend the event at the Hsinchu County Art Museum. Director Zhu Shumin of the Hsinchu County Cultural Affairs Bureau also made a special effort to attend and announced that Hsinchu would be establishing a new art museum, which would include two of Teacher He’s works in its collection.

Everything was arranged in the best possible way. Teacher He had always been a strong supporter of Muguang, and through these connections, Muguang has been able to bring his works to various cities in Taiwan, allowing local communities to appreciate the masterpieces of a great artist.

I would like to express my heartfelt gratitude to Brother He, Second Brother, Elder Sister, and Second Sister for their continuous support of Muguang’s exhibitions by providing Teacher He’s artworks each time. Thank you!

The Muguang Painting Association exhibition at the Hsinchu County Art Museum had its opening ceremony yesterday. Since the venue was quite far, those who attended included Mr. Ho Zhaoyu’s eldest and second sons, Professor Hu Dahua, Professor Zheng Fucheng and his wife, Chairman Wu Qinghou of Biluo Art Gallery and his wife, as well as the handsome and beautiful members of Muguang.

This time, the exhibition space was truly exceptional and received high praise from everyone. The layout allowed for wider spacing between the artworks, eliminating any sense of crowding and enabling a more relaxed appreciation of each piece. This was the most enjoyable and fulfilling time I’ve ever had because more members were willing to step up and help with Muguang’s affairs.

Secretary General Alice Kunmei, Deputy Secretaries Baoling and Kaili dedicated themselves to updating the exhibition webpage, learning and working tirelessly. Kat Rufen, while helping with the setup, noticed that adding posters to the walls could make the exhibition more eye-catching. He swiftly designed and completed the promotional materials within just a few days, while Dagong and Shixun assisted in putting up the posters.

Our Treasurer took the time to handle payment requests and even made time to attend. Qizhen was devoted to capturing wonderful moments with her photography, while Yiming traveled all the way from Kaohsiung, and Xingwen and Dalin came from Yilan. Despite her busy schedule, Haoqing also made the effort to attend. We were also grateful to have the presence of Principal Zixin and Lijuan, who have always supported Muguang’s exhibitions.

I once asked some senior artists how to improve interpersonal relationships, and their advice was: As long as you are doing something good and heading in the right direction, just keep going without complaints. Over time, like-minded people will naturally come together, while those of different values will gradually drift away.

I now truly understand this. The virtuous cycle within Muguang has already begun, and it will expand exponentially. We are only going to get better—of this, I am absolutely certain.

Let’s move forward together and “Turn the corner and meet the light!”

沐光畫會在新竹縣立美術館的展覽，開幕式於昨天舉行，這次由於地點比較遠，來參加開幕式的有何肇衢老師的大公子及二公子、胡達華老師、鄭福成老師及夫人、蓽籮藝廊的吳慶厚董事長及夫人還有沐光的帥哥美女團會員。這一次展覽場地非常得好，深受大家的好評。佈展的方式也將作品及作品之間間距拉的較寬感覺沒有壓迫，更能慢慢欣賞作品。

此次是我忙得最開心的一次，因為沐光的事務已經有更多會員願意一起來幫忙。秘書長Alice焜梅還有副秘書長寶玲和凱俐，為了展覽的網頁更新也盡心盡力的幫忙學習製做。Kat如芬來幫幫忙佈展的時候發現牆面做廣告海報可以更吸睛，他也在最後幾天內緊急做好廣告以及大龔和世勛也來幫忙貼海報。財務長也為了大家的請款抓緊一些時間空檔來參加、現場盡心幫大家拍照的綺珍，還有遠從高雄而來的益銘，從宜蘭來的杏雯和大林，忙碌的好晴也特地撥空來參加。還有每次沐光的展覽都會來相挺的朋友，紫心校長和麗娟。

我曾經詢問一些前輩如何在人的相處做得更好，得到的答案是只要確定是良善的事情、正確的方向就繼續做下去不要有怨言。接下來同性質的人就會靠在一起，不同的性質的人就會慢慢地遠離。我體會到了。沐光善良的循環已經開始，而且會以n次方的倍數擴增。我們只會更好，非常的肯定。讓我們一起”轉角遇見「光」”

還要感謝現場演奏小提琴的雄飛和思穎。感恩！

The year 2025 marks a new chapter for Muguang, as we step into our second term. With everyone’s support and trust, I have been re-elected as the chairperson for the second term. Following our previous plans, Muguang will continue hosting exhibitions at art museums across Taiwan.

Our previous exhibition application at the Chiang Kai-shek Memorial Hall was made to ensure that Teacher He Zhaoqiu could attend and visit. This time, our exhibition at the Hsinchu County Art Museum is dedicated to commemorating Teacher He Zhaoqiu, as Hsinchu is his hometown.

Although Muguang’s current resources are limited, this is what we can do for now. That said, with the talent and dedication of Muguang’s members, I firmly believe that we have great potential for the future. We also look forward to welcoming heroes and enthusiasts from all walks of life to visit, exchange ideas, and appreciate the art.

See you on February 15th at 2 PM!

2025年是沐光嶄新的一年，也是我們邁入第二屆的開始。承蒙大家的厚愛，我仍是第二屆連選連任的理事長。所以沐光的步伐就按照我們之前的規劃繼續在台灣各個地區的美術館展覽。前一次的中正紀念堂展覽申請為了讓何肇衢老師能夠前來參觀、而這一次的新竹縣立美術館，為的是紀念何肇衢老師。因為新竹是何老師的故鄉。沐光目前的能力有限，能做的暫時只有如此。但以目前沐光的成員來說。我覺得未來一定大有可爲 。也期待各路英雄好漢前來欣賞參觀、交流。我們2月15日下午2點見

Yesterday marked the end of our art association’s exhibition period at the Fo Guang Yuan Art Gallery. Everyone had worked hard to prepare for it, from the painstaking setup to yesterday’s hurried dismantling and retrieving of artworks to take home. Sometimes, I wonder: what is it all for? Some do it for interest, some aspire to become artists, while others simply enjoy the sense of participation that comes from being part of a group.

No matter the reason, becoming an artist is truly a challenging journey. It requires continuous creation, constant pursuit of excellence, and enduring the pressure of having no stable income. Yet many people embrace it wholeheartedly.

During the exhibition, one member asked me why our association doesn’t have a unified artistic style. I believe that an art association should maintain a central focus—like Muguang, which primarily emphasizes Western art. However, with so many members, it’s natural for artistic styles to vary. It’s impossible to require all members to create similar works, as that would strip away the true essence of creativity. The primary purpose of a joint exhibition is to showcase the results of everyone’s hard work over the past year, foster exchange, and learn from each other’s strengths.

I’ve watched Muguang grow over the years, and I’m proud that our members’ works have reached a consistently high standard. As a result, we’ve progressed from exhibiting in cultural centers to being featured in art galleries. We’ve successfully completed this year’s objectives, and up next is our annual general meeting. This year marks the association’s 10th anniversary and the third year since its official registration. We’ll also be electing a new chairperson. I look forward to the emergence of a new leader to guide us toward even greater heights.

昨天是畫會在佛光緣美術館的展期結束，大家充分的準備，辛苦的佈展、然後昨天匆匆忙忙的卸展取件回家。有時候想一想真不明白，大家為的是什麼？有些是興趣、有的人想成為畫家，也有人只是認為參加一個團體的參與感。但是不管目的為何、要成為一個畫家真的非常辛苦。要不停的創作、不停的求精進、還要忍受沒有經濟收入的壓力。但還是有很多人甘之如飴。展覽期間有一位師兄問我為何畫會沒有一個整體的畫風，我認為一個畫會抓住一定的主軸，像沐光就是以西畫為主，由於會員眾多本來畫風就會不同，不可能去規定所有的會員要畫一致的作品，這樣子會失去創作真正的意義。而畫會聯展主要的意義是透過大家辛苦創作一年以後共同的展出、彼此的交流，欣賞學習彼此的優點。沐光我看著他長大，大家的作品具備了一定的水準以上了，所以我們的申請展場已經從文化中心躍升到美術館。我們又完成了今年度的階段性任務，緊接著是我們一年一度的會員大會今年剛好屆滿10年以及立案的第三年，我們又要重新選理事長了。期待新的理事長誕生以及帶領我們走向更高的舞台。