國外方面，獲美國Still Point Arts Quarterly第一名、以及加拿大、法、義等國參賽獲獎。2017年獲邀義大利佛羅倫斯雙年展參展，名列義大利羅馬Mantova曼切華國際雙年展世界百大優秀成就藝術家，獲頒International Prize Andrea Mantegna (安德列阿。曼帖那 國際藝術獎) 與佛羅倫斯International Prize Leonardo Da Vinci獎。
In the heart of autumn, the riverbed transforms into a silver sea, where every plume of grass dances with the wind. This quiet, flowing motion evokes the vast, poetic spirit of Taiwan’s autumn, revealing the ephemeral beauty of the season’s passage.
Yushan is the most representative mountain of Taiwan, known for its towering peaks, majestic and imposing presence, and commanding the landscape. Viewed from the northeast, it exudes the dignity and grandeur of a king. I recall that when I first started learning to paint, my teacher assigned us to create a painting of Yushan’s winter scenery, and this work is my second painting with Yushan as the subject. The texture of the painting is built up layer by layer from the leftover paint that my classmates left behind after studio sessions. In winter, Yushan is covered in snow, resembling a northern wonderland. I intentionally added a warm-colored cloud in the sky to depict Yushan as a guardian, protecting Taiwan like a mother watches over this treasured island.
YANG NI-CHU
2017 Instructed by Zeng Shikai 2020 Yuanlin Art Museum Group Exhibition 2021 Member of Taiwan Muguang Artists’ Society 2022 Member of Taichung Oil Painting Association 2022 Changhua Art Museum Zeng Shikai Teacher and Student Joint Exhibition 2022 Changbin Xiuchuan Art Museum Joint Exhibition 2022 Taichung City Seaport Art Center Taichung Oil Painting Association group exhibitio
Floating Tea Realms is my attempt to capture the essence of tea through painting. I do not depict teapots or leaves, but rather allow the fragrance to transform into flowing color—drifting, circling on the canvas, forming a presence that is unseen yet deeply felt.
With tea instead of wine, and painting instead of words, I offer friendship. I invite you to step into this quiet realm of painted fragrance, and feel the resonance that exists between tea and the soul.
Floating Tea Realms is my attempt to capture the essence of tea through painting. I do not depict teapots or leaves, but rather allow the fragrance to transform into flowing color—drifting, circling on the canvas, forming a presence that is unseen yet deeply felt.
With tea instead of wine, and painting instead of words, I offer friendship. I invite you to step into this quiet realm of painted fragrance, and feel the resonance that exists between tea and the soul.
2024/10/12~12/1佛光緣美術館惠中寺展覽作品/創作理念
Exhibition works/creative concepts
善與惡 Kind and Evil
尺寸：40 x 60公分 年份：2019 複合媒材composite media 作品說明： 畫作中的黑帽舞（black hat dance）是不丹和喜馬拉雅藏金剛乘佛教信仰中最重要的藏族跳神儀式（Cham dance）之一，是一種具有深刻宗教意涵的儀式，源起與西藏八世紀末代贊普朗達瑪滅佛的故事。每一個旋轉都代表善與惡之間的循環，就像我們在善和惡之間的選擇，一念天堂，一念地獄。
The black hat dance in the painting is one of the most important Tibetan Cham dances in Vajrayana Buddhism in Bhutan and the Himalayas. It is a ritual with profound religious meanings and originated in Tibet. The story of Zampulang Dama’s extermination of the Buddha in the late eighth century.
Each rotation represents a cycle between good and evil, just like our choice between good and evil, one thought of heaven and one thought of hell.
能量旋律 (Energy Symphony ) 233x91cm (2panels)/2024/Acrylic on Canvas
Energy Symphony My inspiration comes from NASA’s space exploration videos. NASA has developed a tool that can capture the sounds of the universe, sounds that we usually cannot hear. Through special audio adjustments, these sounds can be converted to audible frequencies. Thus, I transformed the sounds of the universe into visual form, creating this series of works titled “Energy Symphony."
Combining traditional Bhutanese prayers with the primordial sound of the universe, OM, which is a part of many mantras in Buddhism, symbolizing wholeness, perfection, and infinity. This powerful Buddhist mantra is believed to transform negative energy into positive. The pearl in the painting symbolizes the OM mantra, which I, as an artist, offer to the universe. The three crystals in the painting represent body, speech, and mind. I hope that every viewer who sees this work can connect with the energy of the universe and heal themselves.
I was born in Mongar, Bhutan and learn art by myself. Buddhism raised our unique philosophy for life: Buddhism is philosophy; philosophy is art; art is life. Different from traditional Thangka, I use mainly oil paints, acrylics and mixed media for my works, exploring the dialogue between natural elements and mind. Through paintings, I hope to convey Bhutanese culture and the power of pure heart to share Kindness.
Since 2010, My art works have been exhibited in many countries in Europe and Asia and luckily many of them been collected in the headquarter of UNESCO in Paris, South Asian Association for Regional Cooperation and also by many art collectors worldwide.
In 2012, for the first time, I came to Tainan, Taiwan to have my Solo exhibition, and from that moment started my deep relation with Taiwan. Through art residence projects, I tried to find my relation with each place and search for inspiration. Through life in different places of art residency, I found my soul was enriched. Through the presentation of art, I want to explore and create the unlimited possibilities.
感謝佛菩薩的祝福與支持我的親友們，讓我盡情在對於藝術的探索，讓我踏上無畏的旅程，在藝術中與您相遇！
I feel grateful that with both the blessings from Buddha and support from my family and friends, I can devote myself in art exploration and step on the journey unafraid. Looking forward to meeting you in art world.
SPECIAL AWARDS AND GRANTS and Art Residence Program
獲獎紀錄與獎助藝術駐村 2022入圍新藝術博覽會國際藝術家大獎賽 Being selected as a finalist of 2021 International Artist Grand Prize Competition, Taiwan International Contemporary Art Association. 2021獲選第四屆中國青島國際當代藝術展 The 4th “Qingdao International Contemporary Art Exhibition" 2021 入圍新藝術博覽會國際藝術家大獎賽 Being selected as a finalist of 2021 International Artist Grand Prize Competition, Taiwan International Contemporary Art Association. 2020 獲選新藝術博覽會國際藝術家大獎賽畫廊獎 2020 Gallery Award in International Artist Grand prize Competition, Art Revolution Taipei.2019 2019 獲選台灣三義駐村藝術家獎助 Grant to Participated Art Residence Program in Sanyi, Taiwan. 2018 獲選台灣金門駐村藝術家與獎助 Grant to Participated Art Residence Program in Kinmen, Taiwan. 2017 獲選高雄漾藝術博覽會展位,於台灣高雄。 Grant to Participate in Young Art Kaohsiung (YAK),Kaohsiung, Taiwan 2014 獲獎助參與國教科文組織獎助第四屆駐村藝術營,於安道爾。 Grant to Participate in the fourth edition of Art Camp, Andorra, Europe. 2011 獲獎助參與南亞區域合作聯盟舉辦之駐村藝術營,於印度 Grant to Participate in the SAARC Camp, (Thiruvananthapuram) India. 2010 獲選澳洲喜馬拉雅基金會喜瑪拉雅藝術獎。 Received the Himalayan Artists Awards (AHF) Australian Himalayan Foundation. 2008 榮獲不丹手工藝品獎標章設計,最佳設計獎。 Received the best design award for the Logo designing of Seal of Excellence for handcrafted Products. 2007 獲獎助參與藝術駐村計畫,於寮國。 Grant to Participated Art Residence Program in Laos.
A variety of colors are used in the painting to create a rich and dynamic picture. The colors symbolize nature and vitality, the shape is like a pair of busy hands, and the irregular lines and shapes together form a picture full of tension and movement. screen.
茫然
尺寸：73x92cm(30F)
創作年代：2023
媒材：壓克力
這幅畫通過其獨特的深淺線條和構圖，表達了一眼望去，是一種深不可測的未來，令人感到茫然。
This painting, through its unique shades of lines and composition, expresses an unfathomable future that makes one feel lost at first glance
My personal definition of abstract art is to experience the artistic conception and feeling, rather than the image of the body. The elements that create this painting use simple lines and textures to express emotion, and different colors to represent the natural atmosphere of the painting. I use color to express the artistic conception in abstract art, so I choose warm colors, yellow, red and orange to express vitality, enthusiasm and sunshine. I also use cold colors, blue, purple and white to express the sky or other native colors to present the colorful earth and sky. The creative concept of this abstract painting is a field full of artistic conception, emotion, and freedom with infinite possibilities.
Chin Lien Tsai
The world of painting, touched the deep minds of my heart.
Whenever the brush is lifted, there will be infinite reverie.
It satisfies the space in which I create . Let me feel free !
The picture is mainly white, and presented in a way of cutting blocks,so that the picture
is staggered,symbolizing the image of the port ship waiting to sail.
2024/10/12~12/1佛光緣美術館惠中寺展覽作品/創作理念
紅潮
尺寸：72.5*91cm
年份：2024
媒材：acrylic on canvas
畫面跳脫固有色的限制，將海面以紅色顯現，讓畫面構築新的視覺衝擊，船隻位於右上角，與海面形成大小的對比，想像航行在波瀾壯闊的大海上，充斥著意想不到的未知旅程。 The picture jumps the limitations of the inherent color, the sea is shown in red, so that the picture builds a new visual impact, the ship is located in the upper right corner, and the size of the sea is in contrast, imagine sailing on the magnificent sea, full of unexpected unknown journey.
Ship sailing is a kind of drift of the mind. Imagine sailing on the magnificent sea, full of unexpected unknown journey, just like painting on the road, there are setbacks and adventures, there are sweet fruits. In terms of modeling, through semi-representational and image expression, between similarity and dissimilarity, viewers can generate more imagination from the existing images. In terms of color, they can put aside the inherent colors to build a new visual impact on the picture.
履歷 Resume
Department of Chinese literature , Tunghai University
Graduated from the Institute of Fine Arts, National Taiwan Normal University
Taiyang Art Association, Yushan Fine Art Exhibition , Central Taiwan Fine Arts Association, Da Dun Fine Art Exhibition , Huang Xi Art Exhibition , Southern Fine Art Exhibition, National Oil Painting Exhibition and other awards have been selected for many times.
Solo exhibitions in National Taiwan Normal University Art Gallery, Dad Dun Art Gallery, and Taichung City Huludun Cultural Center (the 12th Taichung Artists Relay Exhibition).
Painting is my meditation. From painting learn the philosophy of life which is simple or complex, can be gained or giving up, and embracing the imperfection.
The midsummer sun burns bright and fierce, and the tall trees, full of life, seem to sway in harmony, bathing everything in a golden glow. Sunlight dances on green leaves, a soft breeze stirs the air, and memories gently drift—every summer, the forest in my heart comes alive again. The countless faces of the woods are endlessly captivating, but beyond their beauty lies something deeper: a quiet gratitude for the passing of time and the tender moments of life. [Golden Impressions] For the warmth of cherished memories.
The Diamond Sutra says: “All conditioned phenomena are like a dream, an illusion, a bubble, a shadow; like dew or a flash of lightning—thus should you perceive them." Life is fleeting, like an illusion, a bubble, a shadow, or dew; the splendor of blooming flowers is but a mirage, and one should not lose oneself in gains and losses. Through observation and awakening, we learn wisdom in everyday life and glimpse truth through art, finding ease and serenity, with freedom as our constant companion.
2024/10/12~12/1佛光緣美術館惠中寺展覽作品/創作理念
花開見如來
尺寸：91 x 72.5 cm 年份：2024 oil on canvas
《金剛經》云：「一切有為法，如夢幻泡影；如露亦如電，應作如是觀。」
人生渺渺，如幻、如泡、如影、如露，短暫而無常。
學著轉向內心、穿透表象、放下執念，不為短暫的外物所迷惑，也不因得失而迷失自我，
透過觀察與覺悟，探索真正的心靈平靜與自在。
正如「花開見如來，觀心且自在」，
在生活中學習智慧，在藝術裡感悟真理，舒心安然、自在相伴。
Blooming with Insight
The Diamond Sutra says: “All conditioned phenomena are like dreams, illusions, bubbles, and shadows; like dew and lightning. Thus should you view them."
Life is fleeting, like illusions, bubbles, shadows, and dew—short-lived and impermanent. We must learn to turn inward, see through appearances, and let go of attachments. Do not be confused by transient external things, nor lose yourself in the pursuit of gain or loss. Through observation and awakening, we can explore true inner peace and freedom.
Just as “when flowers bloom, the Buddha is revealed; observe the mind, and be free," we gain wisdom in life, perceive truth in art, and experience calmness and ease, accompanied by inner freedom.
Time flies by quickly. I had intended to move through my days gracefully, but in reality, I’ve been like a busy little ant, scurrying through the hustle and bustle of work and life. My leisurely walk through the woods has yet to take place, and the days have already passed the romantic vernal equinox and the Xiaoman solar term, swiftly arriving at the blazing heat of the summer solstice.
Amidst the clamor, the “Dream Forest" quietly emerges, with tall trees, swaying green leaves, and dappled sunlight, creating an illusion of dreamlike beauty. This serene place seems to whisper that “leisurely time comes from a calm mind." When weary, take a moment to rest, silently and gently accompanied. It also hopes that viewers can find a moment of tranquility amidst the busy times, experience the beauty of the present, and find their own inner forest.
“Passion" uses the imagery of the sunset and abstract forms to express the passion within the heart. Although the sunset will eventually fade, if the atmosphere of the moment is kept in the heart, the moment becomes eternal. By conversing with the painting, I remind myself to “seize the moment amidst the interplay of reality and illusion."
The inspiration for this piece also draws from the philosophy of artist Mark Rothko, who believed in “expressing complex ideas through simple forms." I remember the first time I saw his work; although the paintings were composed of simple color blocks without intricate lines or elaborate scenes, they left a profound impact on me. The complexity within simplicity led me into the vast realm of art. Never forget the original intention, and continue to pursue the true, the good, and the beautiful in life.
Graduated from Feng Chia University with a master’s degree of business management Graduated from Tunghai University with a bachelor’s degree of business administration Member of Taiwan Muguang Arists’ Society 2021 Zheng Haoqing Oil Painting Solo Exhibition 2020-2022 Mu Guang Attists’ Society Joint Exhibition 2020-2022 Taichung Xitun District Office Oil painting Joint Exhibition 2017 Art and Culture Study Achievements Exhibition Series Chen Meihui Sketch and Oil Painting Joint Exhibition
題目：乘風 英文：Brave the wind 尺寸：91 cm x 73 cm 年份：2024 材質：油畫0
創作理念:
奔放的白色與藍色交織，宛如海浪與風勢的力量交錯，展現自然的動感。黑夜中的船隻，迎風破浪前行，在風湧中仍高舉的帆，象徵勇氣與希望，前行的不懈精神。 The bold interplay of white and blue resembles the clash of waves and wind, capturing the dynamic force of nature. A ship in the dark presses forward against the wind and waves, with its sail held high amid the storm, symbolizing courage, hope, and an unwavering spirit of perseverance.
2025/2/12~3/2新竹縣立美術館展覽作品/創作理念
Exhibition works/creative concepts
高秀盼 2024 標題:緋
尺寸:73*91cm 材質:油畫 說明:紅色的曲線和交錯的黑白線條暗示內在的衝突,背景柔和的黃色像是希 望、光明隱隱浮現。 The red curves and interlaced black and white lines hint at inner conflicts, while the soft yellow in the background is like hope and light faintly emerging.
高秀盼 2024 標題:颯 說明:白色作為主要的背景創造出開闊、輕盈的感覺,紅色與黑色的線條及形 狀強烈地跳脫出背景,如風一般時而柔和、時而銳利變幻。 White as the main background creates an open and light feeling. The red and black lines and shapes strongly jump out of the background, changing sometimes softly and sometimes sharply like the wind.
2024/10/12~12/1佛光緣美術館惠中寺展覽作品/創作理念
Exhibition works/creative concepts
無聲的對話
尺寸：72.5 x 91公分 年份：2024 oil on canvas
黑色的陰影與白色的光輝互相交織，形成了ㄧ個重滿對比與平衡的世界。
Silent conversation.
Black shadows and white light intertwine, creating a world filled with contrast and balance.
台灣沐光畫會 