2025/10/9~10/265j/ 中壢藝術館展覽作品/創作理念

• 浪漫摩洛哥
• 尺寸：尺寸：116.58*91
• 年份：2025
• 材質：M

2024年底第一次踏上非洲土地，體驗完全不同的北非異國風情；古老的麥地納古城區充滿迷宮般的街道，獨特的建築風格拱門和彩色磁磚，摩洛哥市場有各種手工藝品香料和服飾，處處充滿豐富的旅遊印記。

22 Wu Aihua Romantic Morocco Chinese and English Works Discussion

At the end of 2024, I see foot on the land of Africa for the first time an experienced a completely different exotic North African style; the ancient city of Medina is full of maze-like streets, unique architectural arches and colorful tiles, and the Moroccan market has a variety of handicrafts, spices and clothing, and is full of rich tourist marks.

2025/2/12~3/2新竹縣立美術館展覽作品/創作理念

Exhibition works/creative concepts 

水漾忘憂森林
天搖地動造就仙境
尤羨鳥兒快意盎然
The earth shakes and the sky creates a fairyland
I envy the birds. They are so happy.

作品集 art works

Exhibition works/creative concepts 

2025/10/9~10/26中壢藝館展覽作品/創作理念

藍色浪漫

• 尺寸：116.5*91 cm
• 年份：2025
• 材質：壓克力

旅程中，悠遊在藍色彩繪的契夫蕭安，而黑貓永遠是幽靜中吸引人們目光的神秘角色！

On the trip ，wandering through Chefchaouen which painted in blue, where the black cat is always the mysterious figure that captures people’s gaze in the stillness!

2025/2/12~3/2新竹縣立美術館展

印象摩洛哥

Visit the Blue town of Morocco in November 2024, Chefchaouen,first attempt to use

rational geometric segmentation techniques to express romantic blue feelings!

2024/10/12~12/1佛光緣美術館惠中寺展覽作品/創作理念

Exhibition works/creative concepts 

中正紀念堂展覽作品

Lin Hsin-Wen

I was born in 1970 in Chia-Yi, Taiwan, graduated from the Department ofAccounting, Chinese Culture University. I also engaged in related financial fields. After retirement , I returned toTaiwan, where I love. What used to be a stress-relieving painting has become a joy of life  now.

The advancement of science and technology makes people’s lives  comfortable. But the beauty of the traces of traditional history that is rapidly disappearing. I want to use a warm perspective to make memories of growing  up. Falling in love with sketching, drawing is no longer a static indoor activity, instead ,three or five friends meet or shuttle between the city and the countryside.  Interpret the footprints of life from my own perspective.

Drawing is very free, it can be very easy, I also love sketching, a pen and a piece of  paper can record the mood of the moment !

exhibitions

2019  Joint  exhibitions at  art /  An-tai   show space 2019-2022  multiple exhibitions of Taiwan 3E  Fine Art Society 2021-2022  multiple exhibitions of Taiwan Muguang Artists’ Society 2023  Double exhibitions at No.9 cafe and art  space 

作品集 art works

時間：112/1/15（星期日）

地點：溪湖糖廠、楊氏家祠

參加人員：沐光畫會成員、北部3E畫會藝術家們、南部華拓畫會藝術家們

大自然是宇宙給人類帶來的奇妙恩典，人類自然地親近大自然，用畫筆來彩繪大地的豐美，每個人都有自己的領悟，因此創造出不同的畫意出來，這些獨特的風格，建立出人與人之間的溝通橋樑，很是精彩！

我這次是第四次參加寫生的活動，我實在有一些疑問，覺得為什麼大家要不停的寫生而不是在畫室中完成作品，因為戶外寫生的時候會碰到許多的氣候的狀況，交通狀況，心裡的情緒，有許多無法掌控的因素，導致在完成作品的時候，總是有一些不滿意.當我在寫生時，面對風景時候，心情是非常的高昂的，真的很想將所見的景物都納入紀錄中，有一些景物實在很難割捨，但畫布總是有限，該如何取捨是一個很深的學問。

觀看一些印象派的大師們，一生的作品都是寫生，從畫面可知他們的寫生觀察力極強，都具有同時觀察萬物的修養。如何訓練自己的眼睛進入到專業的習慣，這是非常需要練習的，書中常說看物要廣角、要整體，所有的東西ㄧ起看，而對我來說，是可以體會的，果真書讀了，若沒有實作練習，還是無法體會作者的用意；這次的寫生活動是與北部及南部的畫家們一起，對我來說是一個很好學習的機會，真心的見識到每位畫家的功力，是非常的高的，讓我受益良多。我提早了半小時到達目的地，我與同伴一起將糖廠園區整個觀看了一遍，心中已經有一個決定在那邊寫生的構想，想要將園內的火車們入境。

上午9：30一起寫生的畫家們，都陸續到來，總共將近有40位夥伴們參與，好是熱鬧，每個人都非常的熱情的招呼對方，來自北中南，陣勢浩大，比來園遊玩的旅客還多，大家熱情的參與，讓我感受到戶外寫生的魔力！每位夥伴帶著自己的畫具，找尋自己所喜歡的景點寫生，今天的風算不小，陽光有些燦爛，畫家們用不同的工具來表達自己的感受，只聽見風吹著畫紙震盪的節奏，此時眼前的風景被畫家們緊緊抓住，慢慢地，神奇的萬花筒出現了！讚嘆ㄧ樣的景物，一樣的時空，竟有這麼多樣的面貌，這就是偉大的藝術創造力呀！

大家飽餐ㄧ頓後，詠婷提供每人一份溪湖老味道『蔴粩』作伴手禮，讓大伙甜在心裡去了！酒足飯飽後，時間尚早，大家建議還是再回糖廠寫生。

下午近兩點的時候，陽光普照，風勢較緩，我因為早上已畫的差不多了，打算與同伴妤庭一起向大師們請益，拿著自己的作品，聽聽老師們的意見；馬老師ㄧ語點破我們的盲點，他說寫生的時候是非常重視構圖，一幅好的寫生作品，要等懂得處理前景、中景、後景，要懂得取捨，畫面的佈置，也是相當的重要，寫生對於藝術家來說，是非常重要的訓練，雖然現在是大多走向抽象主義，但要如何把抽象畫畫好，這是需要很多的訓練的，所謂抽象並不是亂畫，並不是沒有章法，必須透過詳細的觀察，ㄧ步一腳印的在寫生中累積經驗，當經驗成熟了，知道如何處理線條，色彩，對比，以及彼此的相互關係，這樣子才能夠領悟到簡化，表達出抽象的精髓。我聽了，記下來，這是我接下來要努力的目標了！馬老師是一位很熱情的人，還幫我們兩位畫了自畫像的速寫，真是好快樂呀！老師讓我年輕好多，這就是藝術家的魔力呀！

糖廠的寫生活動在下午3:30左右結束了，大家收拾行囊，真的有一些依依不捨，所以呢，大家又決定去楊家花園的古厝寫生一下。

一天下來真是收穫滿滿，臨行前大家都說，應該多辦北中南寫生活動，讓大家一起努力創作，ㄧ起分享，一起為走向藝術國際化交流而努力！

In 1865,the work of British writer Louis Carlo’s " Alice in Wonderland " was born, It was one of my favorite literary works as a child. When reading, you can always let yourself soar into the mythical, fantastical, and colorful world. My English name, Alice ,is also inspired by the book, from my student days to the present. Painting to me is like Alice following a rabbit , jumping into a hole, into a completely different fantasy world. A colorful world full of adventures. It took wings to my mind. Stirring the brush and splashing the form of color lines on the canvas. In the journey of self-pursuit, in the temple of art, leisurely and free. Welcome to my “Alice’s magic world “！

Exhibition works/creative concepts

2025/10/9~10/26中壢藝術館第二展區展覽作品/創作論述

作品名稱:旅行的風景-櫻之物語Travel Scenery – Whispers of Cherry Blossem

• 尺寸: 91 x 72.5 cm
• 年份:2025
• 材質: acrylic on canvas/mixed media

作品名稱:旅行的風景Travel Scenery –粉影流光Pink shadows and flowing lights

• 尺寸: 91 x 72.5 cm
• 年份:2025
• 材質: acrylic on canvas/mixed media

作品論述

透過畫筆,展現我生命中所碰觸的感動…

走過的街道,微風徐徐,溫暖的陽光,車水馬龍的城市,蟲鳴鳥叫的花園,打開心中的那扇窗,將印象記錄下來,是我生命中旅行的風景.

2025年各地櫻花盛開,人們快樂的享受著大地給予的禮物,陶醉在粉紅色的世界中,此次作品共有兩幅,皆以櫻花的粉紅色為主色系,希望帶給人一種浪漫,樂觀,放鬆的氛圍,讓觀看者,充滿祥和的感受.

第一幅:旅行的風景-櫻之物語

以粉紅色為主調子,藍色調及綠色調為輔,以點.線.面的構圖方式,表達出充滿櫻花盛開的景象,是充滿生命力及自由的國度!

第二幅:旅行的風景-粉影流光

以抽象的方式呈現,暖調子為主,寒色調的藍及綠,代表著寬廣的大地,粉紅色的色塊穿插其中,大及小的塊面來表達櫻花的豐富縱橫，加上瀟灑的線條，穿插,反覆,顯現出浪漫及自由自在的光速風景!

Works Discussion

Through my paintbrush, I express the touching moments of my life… the streets I’ve walked, the gentle breeze, the warm sunshine, the bustling city, the gardens filled with the chirping of insects and birds. Opening the window of my heart, I record my impressions—these are the scenery of my life’s journey. In 2025, cherry blossoms will bloom everywhere, and people will happily enjoy the gifts bestowed by the earth, reveling in a world of pink. This work consists of two paintings, both with the pink of cherry blossoms as the primary color. I hope to create a romantic, optimistic, and relaxing atmosphere, filling the viewer with a sense of peace.

The first painting, “Travel Scenery – Whispers of Cherry Blossem"

Features pink as the primary color, supplemented by blue and green tones. Using a composition of dots, lines, and surfaces, it depicts a scene filled with cherry blossoms in full bloom, a land brimming with vitality and freedom!

The second painting: A travel scene—Pink shadows and flowing lights

It’s stare presented in an abstract manner, with warm tones predominating. Cool blues and greens represent the vastness of the earth, interspersed with pink blocks. Large and small blocks express the richness and diversity of the cherry blossoms. The addition of free and unrestrained lines, interweaving and repetitive, creates a romantic and free-flowing landscape!

2025/2/12~3/2新竹縣立美術館展覽作品/創作論述

作品名稱:旅行的風景-境 Travel scenery- Landscape

• 尺寸: 91 x 72.5 cm
• 年份:2025
• 材質: acrylic on canvas/mixed media

作品論述
人的一生就像一個旅程,而旅行就是生命中寶貴的養份.我喜歡旅行,在旅行的途
中,我追尋生命的光,以大自然為本,沐浴在陽光下,我的心充滿著感動,我用文字書
寫下來,用畫筆畫下內心的風景,這些旅行的風景,永恆的駐留在我的心中.
2024,很開心地參加兩項海外藝術之旅的寫生活動,跟著多位藝術家一起旅行,學
習及創作,打開我的視野,因此我這次的展覽畫作,皆是我心中旅行的印象.
第一幅:旅行的風景-境
以藍色調及綠色調為主調子,以點.線.面的構圖方式,表達出島國的邊境,是自然與
人文自在的對話,是寬廣的邊境,讓人回味無窮!
第二幅:旅行的風景-域
以暖調子為主,黑色的線條穿插其中, 我用更大的塊面來表達老樹的縱橫,非常多
的線條,在腦海中顯現出古樹的綿延及寬廣,我讚嘆樹群之美,願能留下被大自然流 域環抱的感動!

第三幅:悠遊自在: 畫出心中的嚮往-魚群在水中的自由自在!

Works Discussion
Human life is like a journey, and travel is the precious nutrient in life. I like
traveling. During the journey, I pursue the light of life, take nature as the basis,
and bathe in the sunshine. My heart is full of emotion. , I write it down with
words and paint my inner scenery with a brush. These travel scenery will stay
in my heart forever.
In 2024, I was very happy to participate in two overseas art tour sketching
activities. Traveling, studying and creating with many artists opened up my
horizons. Therefore, my paintings in this exhibition are all the impressions of

the travel in my mind.

The first picture: the scenery of travel

The main tone is blue and green, and the composition of points, lines, and surfaces is used to express the border of the island country, which is a combination of nature and Humanistic and free dialogue is a broad border, which makes people have endless aftertaste!

The second picture: the scenery of travel-domain

Mainly based on warm tones, with black lines interspersed throughout, I used larger areas to express the length and breadth of the old trees. The many lines showed the extension and breadth of the old trees in my mind. I admired the beauty of the trees and wished that I can leave the impression of being surrounded by a natural watershed!

24/10/12~12/1佛光緣美術館惠中寺展覽作品/創作理念

巴里島風旅

尺寸：72 x 60公分 年份：2024
複合媒材 :composite media
作品說明：
今年六月參加了一個峇厘島的藝術之旅，為期八天的行程，與多國的藝術家們揭開了峇厘島的面紗，寺廟、色彩濃厚的島國，在我的眼簾展現出，藍色，咖啡色，土黃色，綠色、橘色等多樣的色彩，好是豐富.。腦海中，不停的勾勒著線條與色彩，為這個地方，在傳統的建築與生活結合為一的地方，畫出心中的感動。每到一處，寺廟的建築，古蹟，保存的相當好，都是呈現當地人們對神的虔誠，獻花、舞蹈，在在顯示出，信仰是人們心靈的依托！
我將自己心靈感受，以畫筆呈現出我最高的致意！

2024/7/31-8/11中正紀念堂/前瞻與創新展覽

一幅莫內的畫作,「日出、印象」,讓我看了好久,看著非常多的線條,在畫
面上這麼樣的協調美麗,把光線、氣氛、形象組合的這麼樣的完美,我看著,
在腦海,所有的線條、顏色都能夠完整的搭配;看著梵谷的向日葵,能夠感受
到他的線條色塊與內心的激動.這些畫作不停的與我對話,隨著年紀的增長,總
會有一些不同的領悟!藝術的殿堂,就像一座永不枯竭的井水,我取之、啜飲
著永恆,我努力著,就會充實前進!生活與藝術相伴,永不孤單!

畫畫對我來說就像在書寫我的日記,是我的抒發,是我的想像,以及在所有的
大師前輩上,學習及思考是我的養分。我早先的作品是比較偏向印象派的方
式,我尤其喜歡描繪風景,將我心目中的風景,透過畫筆來展現自己獨特的風
采及線條;近年來,抽象畫非常的盛行於台灣,我學習打開我的視野,將具象
的事物解構為較單純的元素,運用色塊、色彩的明暗、線條的粗細、彩度的高
低等來構置我的畫面,我覺得就像把空間給打開了,有了多視點的觀察,畫面
更是豐富,可以訴說我心中許多的故事,好是神奇呀!
這一次的展覽, 很高興介紹我的兩幅作品 ,她們都是有關蓮花的故事,我的主題:
“蓮花池的午后 , 我打了一個小盹 !“ ,我用寫意及抽象的方式來表達,蓮花的
美麗所帶給我的感動, 也是我這些年來的小小的心得,希望大家會喜歡!
點、線、面的順利掌握,可以讓我更自在的繪畫,我畫故我在,歡迎來到我-愛
麗絲的「藝想世界」!

Since I was a student, I have developed the habit of going to art exhibitions. Seeing
moving paintings always makes me linger. I also always love to be intoxicated in libraries
full of books,where I find huge power of knowledge.
16 years ago, I queued up at the Taipei Museum of History,waiting to see Miller’s
“Pastoral Beauty" Exhibition ! Then I returned home with overflowing enthusiasm, and
decided to study painting, thus starting my artistic dream world.
I looked at a painting by Monet, “Sunrise, Impression" for a long time.I saw so many
lines, so coordinated and beautiful on the picture, and the light ,…,image
combination was so perfect. I looking at it, in my mind,all the lines and colors
can be perfectly matched; looking Van Gogh’s “Sunflowers", I can feel his lines,
color blocks and inner excitement. These paintings keep talking to me, and as get
older as you grow, there will always be some different understandings!
The palace of art is like a well water that will never dry up. I take it and sip it for eternity.
If I work hard, I will enrich myself and move forward! Life and art acomapny each
other ,and we are never alone.!
For me, painting is like my diary, it is my expression, it is my imagination, and following
all the masters and predecessors, learning and thinking are my
nourishment. My earlier works were more impressionistic. I especially like to depict
landscapes. I use the brush to show my unique style and lines through
the sceney in my mind. In recent years, abstract painting has been very popular in Taiwan,
and I have learned to open up the painting. My vision is to deconstruct concrert things into
simpler elements, and use color blocks, light and shade of colors, thickness of lines, and
levels of chroma to construct
my paintings. I feel like the space of painting has been opened up, and there
are with multi-viewpoint observation. The paintings are richer and can tell many
stories in my heart. It’s so magical!
This time I am happy to introduce my two paintings, they are all talking about the “lotus","
In the afternoon, the lotus pond,I took a nap", I used freehand and abstractmethods to
express the feeling that the beauty of lotus brings to me, which is also my little
experience over the years.I hope you will like them,The
smooth mastery of dots,lines, and surfaces, allows me to paint more freely.
So here I am, welcome to my " artistic world " of Alice !

學經歷:

逢甲大學企業管理系畢業 

台灣沐光畫會秘書長

參展經歷:

• 2025台灣沐光畫會新竹美術館聯展

• 2024台灣沐光畫會中正紀念堂聯展,惠中寺[佛光緣]聯展
• 2023 國家藝術聯盟第二屆當代菁英聯展
• 2022-2023 台灣沐光畫會彰化美術館,港區藝文中心聯展
• 2020-2023 台中美術沙龍協會聯展 
• 2017-2020 台中市大墩文化中心藝响世界畫會聯展 

作品集Art Works

Exhibition works/creative concepts

2025/10/9~10/26中壢藝術館展覽作品/創作理念

風訴秋語

• 尺寸：91x 60.5cm
• 年份：2025
• 材質: 油畫

這件作品以秋天時序的自然景色為主題，
秋天的溪床紛紛添上了一片隨風搖曳的根子草花海。
草浪隨風搖曳的律動之美，傳遞出台灣秋天特有的蒼茫與詩意。

In the heart of autumn, the riverbed transforms into a silver sea, where every plume of grass dances with the wind. This quiet, flowing motion evokes the vast, poetic spirit of Taiwan’s autumn, revealing the ephemeral beauty of the season’s passage.

2024/10/12~12/1佛光緣美術館惠中寺展覽作品/創作理念

玉山 Yushan

• 尺寸：72.5x 50cm
• 年份：2022
• 材質 : oil paint on canvas

玉山是最代表台灣的高山,其山勢巍峨崢嶸、氣勢磅礡、雄踞一方,由
東北向觀之,具王者之尊、雍容華貴。
記得開始習畫時,老師指定了一幅必畫的玉山冬景,而這件作品是我第二
次以玉山為題的畫作,畫作的肌理皆是畫室課後的同學們留給我的顏料
一次次的堆疊而成的。
玉山冬天飄雪如同北國世界,我特意在天空加了一抺暖色調的雲彩,表
現出玉山如同台灣的母親守護著這座寶島。

Exhibition works/creative concepts 

作品集 art works

2025/10/9/~10/265中壢藝術館展覽作品/創作理念

• 不丹沙棘薰衣草茶
• 尺寸：40＊60cm
• 年代;2025
• 材質;A

《漂浮的茶境》是我以畫筆捕捉茶香的創作計畫。我不畫茶具，而是讓香氣幻化為顏色的流動，在畫布上浮動、盤旋，成為看不見卻能感受的氣息。

我以茶代酒，以畫會友。邀請你們走進這片寧靜的畫境，感受我和茶與心靈之間的香韻共振。

Floating Tea Realms is my attempt to capture the essence of tea through painting. I do not depict teapots or leaves, but rather allow the fragrance to transform into flowing color—drifting, circling on the canvas, forming a presence that is unseen yet deeply felt.

With tea instead of wine, and painting instead of words, I offer friendship. I invite you to step into this quiet realm of painted fragrance, and feel the resonance that exists between tea and the soul.

• 東方美人茶
• 尺寸;40*60
• 年代;2025
• 材質：A

漂浮的茶境》是我以畫筆捕捉茶香的創作計畫。我不畫茶具，而是讓香氣幻化為顏色的流動，在畫布上浮動、盤旋，成為看不見卻能感受的氣息。

我以茶代酒，以畫會友。邀請你們走進這片寧靜的畫境，感受我和茶與心靈之間的香韻共振。

Floating Tea Realms is my attempt to capture the essence of tea through painting. I do not depict teapots or leaves, but rather allow the fragrance to transform into flowing color—drifting, circling on the canvas, forming a presence that is unseen yet deeply felt.

With tea instead of wine, and painting instead of words, I offer friendship. I invite you to step into this quiet realm of painted fragrance, and feel the resonance that exists between tea and the soul.

2024/10/12~12/1佛光緣美術館惠中寺展覽作品/創作理念

Exhibition works/creative concepts 

善與惡
Kind and Evil

尺寸：40 x 60公分 年份：2019
複合媒材composite media 作品說明： 畫作中的黑帽舞（black hat dance）是不丹和喜馬拉雅藏金剛乘佛教信仰中最重要的藏族跳神儀式（Cham dance）之一，是一種具有深刻宗教意涵的儀式，源起與西藏八世紀末代贊普朗達瑪滅佛的故事。每一個旋轉都代表善與惡之間的循環，就像我們在善和惡之間的選擇，一念天堂，一念地獄。

能量旋律 (Energy Symphony ) 233x91cm (2panels)/2024/Acrylic on Canvas

能量旋律 我的靈感來自NASA的太空探索影片，NASA開發了一種工具可以捕捉宇宙的聲音，這些聲音我們平常無法聽到，透過特殊的音頻可以調整成可聽見的頻率，於是我將宇宙之音化為視覺化，創作了這個系列作品《能量交響曲》。結合傳統的不丹祈禱文和宇宙的原始聲音“OM”。
OM是佛教中許多咒語的一部分，象徵著完整、完美和無限。這個強大的佛教咒語，被認為能將負能量轉化為正能量，畫作中的珍珠象徵著OM咒語，我作為藝術家將其獻給宇宙，畫中的三顆水晶象徵著身、語、意。希望每位觀眾看見這作品時能與宇宙能量連接，治癒自己。

Energy Symphony My inspiration comes from NASA’s space exploration videos. NASA has developed a tool that can capture the sounds of the universe, sounds that we usually cannot hear. Through special audio adjustments, these sounds can be converted to audible frequencies. Thus, I transformed the sounds of the universe into visual form, creating this series of works titled “Energy Symphony."

Combining traditional Bhutanese prayers with the primordial sound of the universe, OM, which is a part of many mantras in Buddhism, symbolizing wholeness, perfection, and infinity. This powerful Buddhist mantra is believed to transform negative energy into positive. The pearl in the painting symbolizes the OM mantra, which I, as an artist, offer to the universe. The three crystals in the painting represent body, speech, and mind. I hope that every viewer who sees this work can connect with the energy of the universe and heal themselves.

感謝佛菩薩的祝福與支持我的親友們，讓我盡情在對於藝術的探索，讓我踏上無畏的旅程，在藝術中與您相遇！

I feel grateful that with both the blessings from Buddha and support from my family and friends, I can devote myself in art exploration and step on the journey unafraid. Looking forward to meeting you in art world.

SPECIAL AWARDS AND GRANTS and Art Residence Program

獲獎紀錄與獎助藝術駐村 2022入圍新藝術博覽會國際藝術家大獎賽 Being selected as a finalist of 2021 International Artist Grand Prize Competition, Taiwan  International Contemporary Art  Association. 2021獲選第四屆中國青島國際當代藝術展 The 4th “Qingdao International Contemporary Art Exhibition" 2021 入圍新藝術博覽會國際藝術家大獎賽 Being selected as a finalist of 2021 International Artist Grand Prize Competition, Taiwan  International Contemporary Art  Association. 2020 獲選新藝術博覽會國際藝術家大獎賽畫廊獎 2020 Gallery Award in International Artist Grand prize Competition, Art Revolution Taipei.2019          2019 獲選台灣三義駐村藝術家獎助 Grant to Participated Art Residence Program in Sanyi, Taiwan. 2018 獲選台灣金門駐村藝術家與獎助 Grant to Participated Art Residence Program in Kinmen, Taiwan. 2017 獲選高雄漾藝術博覽會展位,於台灣高雄。 Grant to Participate in Young Art Kaohsiung (YAK),Kaohsiung, Taiwan 2014 獲獎助參與國教科文組織獎助第四屆駐村藝術營,於安道爾。 Grant to Participate in the fourth edition of Art Camp, Andorra, Europe.     2011 獲獎助參與南亞區域合作聯盟舉辦之駐村藝術營,於印度 Grant to Participate in the SAARC Camp, (Thiruvananthapuram) India. 2010 獲選澳洲喜馬拉雅基金會喜瑪拉雅藝術獎。 Received the Himalayan Artists Awards (AHF) Australian Himalayan Foundation.         2008 榮獲不丹手工藝品獎標章設計,最佳設計獎。 Received the best design award for the Logo designing of Seal of Excellence for handcrafted Products. 2007 獲獎助參與藝術駐村計畫,於寮國。 Grant to Participated Art Residence Program in Laos.

作品集 art works